25 years today since the first 'X-Men' film was released back in 2000. The fact that this movie happened back then, 8 years after the X-Men animated series that got so many of us into the comics, was a *huge* deal. Seeing the posters for the first time and seeing in live action the X-Mansion basketball court opening up and the Blackbird flying out caused some *serious* hype.
It marked a milestone for Marvel after their rocky history of low-budget, low-effort adaptations, especially with a cast like Patrick Stewart, Ian McKellen, Anna Paquin, and Ray Park, while also helping to propel Hugh Jackman's career. It was a fun action film that took itself, its cast, and its audience seriously and stayed true to the core theme of the X-Men being a team of outcasts who fight to protect a world who hates and fears them.
In retrospect is it a perfect X-Men adaptation? Nope. It never managed to shake off the shame it felt for certain aspects of its source material, and in the process of trying to make it digestible to a wider audience, it failed to fully capture the 'found family of weirdos with a hint of soap opera' spirit of the comics. It lacked the heart that acted as the glue keeping those characters together, sticking up for each other, despite their different backgrounds and personalities.
But the film undeniably marked a significant shift in the way Marvel comic book adaptations were approached, eventually leading to an era where these movies have found a better balance between serious themes, camp, and yellow spandex.
Monday, July 14, 2025
Saturday, July 12, 2025
James Gunn’s ‘Superman’ Brings Back the Trunks and the Heart
I've had a deep love for comic books for decades, and I've been a fan of Superman ever since little kid me came across a videotape of Christopher Reeve's portrayal of the character in the first Richard Donner film. Superman has existed since 1938, and naturally there have been dozens of different interpretations of him, but my favourite has always been the OG corny nice guy who uses his powers for good. There is a certain charm in the idealism of that concept. And this is exactly what the promos for the new 2025 'Superman' film seemed to promise. Having now watched 'Superman', I can say that it was everything I had hoped it would be.
It's a simple concept but it doesn't need anything more added to it in order to work. People may not be able to fly or stop bullets with their hands, but people can just choose to be good just because it's the right thing to do. I'd argue that the only way to make a character like Superman sympathetic enough so that readers (or viewers) can connect with him on a substantial level is to make him as human as possible. There is no appeal in an omnipotent, flawless, macho, inapproachable person who is allergic to emotions, no matter what the folks who self-label as life coaches and think that there is an instruction manual to human connections try to tell you, and any story about such a character can only go so far. Clark is a guy with tremendous powers and capabilities, and out of all the things he could do with them, he chooses to help and protect those who need him.
The rest of the cast is also fantastic. Nicholas Hoult delivers a great performance as Luthor, making for a very convincing megalomaniac billionaire, driven by ego and capable of real cruelty. Edi Gathegi is brilliant as Mr. Terrific, and Rachel Brosnahan simply is Lois Lane. The chemistry between Lois and Clark was spot on, you can see why these two people fell in love with each other, and even how the different aspects of their personalities fit together.
It was a smart choice showing the characters already being a couple, with Lois also knowing Superman's identity. The movie would have gotten tedious really fast if it tried to be yet another origin story. The tale of them getting together has been told numerous times before, and as one of the most famously endgame couples in the history of comic books, their relationship is built on more than physical attraction and Lois's fascination with Superman.
Contrary to the Batman and Catwoman dynamic, the most interesting part of the relationship between Clark and Lois comes after the characters end up together. Clark cooking for Lois when she comes home, Lois being in Clark's childhood bedroom, meeting his parents, noticing him interact with his dog, noticing his posters on the wall and all the other items in the room that tell a little story of who this sweet, nerdy guy is as a person, is something that comes from a place of affection, and it's nice to see the characters established that way.
Krypto the dog was hands down another highlight of the film. I think this version, even if he is rather different to the one from the comics, works excellently. He is ridiculous and loveable, and steals every scene regardless, but I think those who have had the experience of owning a dog whose inability to read the room and follow the rules is only surpassed by his ability to love you enthusiastically will feel a little extra fondness for his sloppy excitement (and maybe a little appreciation for the fact that dogs aren't capable of flying in real life).
There are some parts of the plot that feel a little messy, but overall 'Superman' was an undeniably enjoyable watch, and most importantly, it was a film that truly understands the character. My only major gripe would be how much of the second part of the film was shown in the trailers. Some scenes I'd rather have experienced for the first time while watching the movie. At the same time, I loved how 'Superman' doesn't shy away from being colourful, it never tries to pretend that it's anything other than a comic book movie, it never attempts to hide its ridiculousness by trying to give a logical explanation as to why there's a cute dog wearing a tiny red cape flying around.
At the same time, it also remains relevantly political, in the way Superman has always been ever since his creation by Jerry Siegel and Joe Shuster 87 years ago. Despite how the word might have become taboo for certain parts of the internet, the story of Superman has always been interconnected with real-life issues, and beyond what label any of us uses to describe the basic concept of the character, Superman has always essentially existed as an answer to the question "what would someone who is fundamentally a good person do if they had the power to stop harm and injustice?"
The story and the themes are delivered through a modern lens, showing how smear campaigns, xenophobia, and disinformation can be weaponised, and how mob mentality works in the age of social media, but at the same time the movie stays true to the spirit of the character.
Superman is the most powerful man on earth, but what defines him is his vulnerability and his heart. He is nearly indestructible, but also a little dorky, compassionate, witty, he remembers the details from a first date, he is occasionally awkward, he loves his unruly dog, heck he loves all dogs. He stops mid-fight to save a squirrel, he cares about Malik the street vendor who once gave him free falafel, he acts from a place of wanting to protect the innocent, he cries, he inspires others to be better, and he believes kindness is the most punk rock thing there is. Because it is.
Monday, July 07, 2025
25 Years of Final Fantasy IX
25 years ago today one of the best entries in the Final Fantasy series was released. At first glance, it's easy to consider Final Fantasy IX as a light and whimsical title, especially in the shadow of FFVII. But anyone who has played the game knows that beyond its colourful characters and gorgeous scenery, it explores themes of existentialism, identity, finding your chosen family, finding love and acceptance as you are, and also finding yourself and what it means to carve your own path and to make the choices that define you, despite your past or what inner or outer darkness you are fighting against.
It's a story that asks some very deep questions about dealing with depression, the meaning of life, and the fear of death and loss, that ultimately rejects nihilism by emphasising how even the realisation that existence is temporary and mortality is inevitable doesn't diminish the importance of connecting, loving, sharing, hoping, experiencing the little moments, and fighting for a better world. It's one the most beautiful and hopepunk games to have come out in the last few decades that remains more relevant than ever, and is well worth discovering even today.
Friday, July 04, 2025
Recent Watch: Ironheart
Having finished all 6 eps, I can say that I really enjoyed 'Ironheart'. I liked most things the show did, the changes from the comics made sense, and they made up for the absence of Tony Stark in Riri's story by giving her a more personal, and actually touching, connection to her suit and her motives.
The themes of a 19-year-old girl experiencing loss and trauma and acting from a place of grief and frustration while trying to regain some control over her life, learn to stop pushing people away, and use her gifts, without having the privilege of Stark's resources, were explored really well. It's very human for someone to act messily and abrasively, but not maliciously, when they are trying to protect themselves from experiencing more pain, and supernatural and comic book elements aside, for me, 'Ironheart' depicted that rather realistically too.
The show had its funny and heartwarming moments, and Dominique Thorne is great as Riri. The only gripe I have is with the ending, because it felt very MCU formulaic in how it tries to set up things coming next, instead of wrapping up the current story, and more specifically it felt out of character and out of place, considering Riri's whole arc. That said, if a second season happens I will surely be watching!
(Wide-eyed Tiffie in the pic to nod to *that* thing finally happening in the MCU.)
Wednesday, May 21, 2025
ARC Read: It Rhymes With Takei
The book is a heartfelt and vulnerable recounting of his most formative experiences as a young boy who grew up feeling different, not fitting in, but who also lived in a world that made it very clear that his difference wasn't going to be tolerated. From the several prejudices of the times, to the bullying and the prevalent homophobic slang, to later seeing people's careers being ruined after the revelation that they were gay, it is not hard to understand why a young Asian-American man would be fully convinced that the best thing to do is to live his life hiding who he truly is.
The way George Takei explains his everyday experiences paints a very clear picture of the American society of the 1950s and on. His thorough way of describing things makes you understand both the man and his way of thinking specifically, as well as the conditions and political climate that he grew up into. On a global scale, we still have a long way to go when it comes to LGBTQIA+ rights and social acceptance, but it is also undeniable that just a few decades ago homosexuality was condemned socially and politically to such a degree that it rendered people who were outed unemployable pariahs, ruining their careers, families, reputations, and everything else in their lives for daring to love who they loved.
In this book George Takei also takes us through the stages of his career, from the early days where he caught the acting bug and couldn't let go of his dream, to how he was propelled to fame, landing the role of Hikaru Sulu in 1966, despite the difficulties of the era and the setbacks they caused for an Asian-American actor in the industry.
It's a fascinating read, both for fans of the actor, but also for anyone interested about the history of LGBTQIA+ rights, and frankly anyone who has ever felt isolated, lonely, and like they didn't quite fit in. Seeing a young boy growing up to follow his dreams, finding a person to love, eventually getting married to his husband in 2008, and finding his place in the world, living his life on his own terms, is nothing short of inspiring, and also a little reminder that, despite dark times, change is always possible.
The art by the extremely talented Harmony Becker, who also worked on 'They Called Us Enemy' is gorgeous and fits the book well, and the storytelling is just beautiful and sincere, making it impossible to not get invested. From the very first pages it becomes very clear that this is a story of hope, being told by a man who is looking back at his life, and after decades of being told by society that it's best to keep one of the most important parts of himself hidden, he is sharing his truth with the world.
A huge thank you to IDW Publishing and Top Shelf Productions for offering me an advance review copy. The book is coming out on June 10, 2025.
Sunday, May 11, 2025
Recent Read: The Passion of Pedro Almodรณvar: A Self-Portrait in Seven Films
I recently got my hands on 'The Passion of Pedro Almodรณvar: A Self-Portrait in Seven Films' by James Miller, a book that, as the title suggests, explores the real life story of the Spanish director and the mark he has left on European and global cinema by drawing parallels with the themes he has chosen to explore in 7 of his most well-known films, or as Miller puts it, 7 of his most personal works. From 'Volver' to 'Pain And Glory' and 'Bad Education', the book is divided into sections dedicated to each film separately, both exploring Almodรณvar's inspirations and arguing the autobiographical nature of these works, as discerned by the author.
Miller does a great job in structuring the book, and sharing enough information to create a big picture by exploring both Spanish and cinematic history in a way that allows the reader to have a clear understanding of Almodรณvar's formative experiences, and thus his perspective as a creator. It is worth keeping in mind that although the book is undeniably a thorough and engaging exploration of the auteur's work through a deeply thoughtful and analytical lens, and does often back its points using Pedro Almodรณvar's own public statements, it is in the end of the day solely based on the author's personal interpretation of Almodรณvar's approach to film making.
Of course cinema, like any other art form, is experienced differently by different people, so naturally every time someone attempts to analyse a film, or in this case an entire filmography, they are unavoidably impacted by the ways it spoke to them personally. It becomes evident from the start that the author has both a vast knowledge of Almodรณvar's work and a very deep appreciation of him as a film-maker. This is of course necessary, if one intends to write such a deep analysis of how a creator's life experiences are interwoven into their art, but at the same time the book at points puts Almodรณvar on an impenetrable pedestal that leaves no room for critique.
And even though the book definitely addresses the several times the auteur has been challenged for certain artistic choices, specifically about the ways he used themes of trauma and sexual abuse in his works, I would have appreciated a more critical and rounded approach to the matter, especially given the sensitive subjects in question.
There is a balanced middle ground between unquestioning praise and absolute condemnation, that allows for art to be discussed both as a form of expression that is free to touch upon taboos and use uncomfortable subjects to provoke the status quo and invoke certain thoughts and feelings, and also as something deeply human, and thus imperfect, that isn't perceived and experienced the same way by everyone, and therefore cannot be exempt from scrutiny. Unfortunately, the book did not always succeed in finding that balance for me.
'The Passion of Pedro Almodรณvar' is first and foremost aimed at someone who is already a fan, but can also be read by anyone curious to learn more about the film-maker and gain a deeper knowledge of his works. The author provides enough information for each film so it's not necessary for someone to have watched all 7 of them before reading, but this also means that spoilers about every important plot point cannot be avoided.
A sincere thank you to Columbia University Press for providing me with a review copy of the book.
Wednesday, April 30, 2025
Full Throttle (1995) - 30 years of “Motorcycles. Mayhem. Murder.”
Today marks the 30th anniversary of Full Throttle, released on April 30, 1995. A cult classic little gem from the golden age of LucasArts point-and-click adventure games. Tim Schafer's first solo project, featuring biker gangs, storytelling and cutscenes that draw inspiration from the Mad Max films, a protagonist who gets wrongfully framed for murder, a distinct cinematic style, and a soundtrack by The Gone Jackals.
Ben, the main character, was voiced by Roy Conrad, while Mark Hamill voiced the game's villain. Despite its planned sequels never getting off the ground, and the title being relatively short, Full Throttle has more than managed to perfectly stand out on its own thanks to its humour, memorable story and characters, and its fresh new approach to the adventure game genre. Decades later, it still deserves all the love it's getting, and if you've never played it, the 2017 remaster is an excellent way to fix that.
Saturday, April 19, 2025
Daredevil: Born Again (Spoilery Thoughts)
Netflix's Daredevil is one of my all time favourite comic book live-action adaptations. I consider it to be one of the best projects to have come from Marvel, and one of the best pieces of mainstream television in general. It's a gritty story about found family, the willingness to do good, and flawed people fighting their personal demons while accepting and supporting each other, that also happens to involve masked vigilantes and undead ninjas. Ten years later, going back and rewatching all 3 seasons in a row before diving into 'Daredevil: Born Again', further solidified this opinion. Having now watched every single episode of 'Born Again' as well, I can say that although it's not perfect, it has, all in all, fulfilled most of my expectations and left me wanting to watch what comes next.
It has been a decade since the premiere of the OG Daredevil, which makes how easily both Charlie Cox and Vincent D'Onofrio stepped back into their respective characters even more impressive. The same goes for Deborah Ann Woll as Karen, Elden Henson as Foggy, and Jon Bernthal as Frank Castle, for the brief moments that we get to see them. Continuing from the finale of Daredevil's Season 3 directly into 'Born Again' really felt like going back to that universe. Not everything is the same, characters' lives have taken different turns, and there's also a difference in tone, cinematography, and pacing, so the show might not live up to everyone's nostalgia, but it's still a solid continuation from where Daredevil Season 3 Ep13 'A New Napkin' left off.
To have a plot for a new show, it's unavoidable that the somewhat hopeful and uplifting ending of 'A New Napkin' has to be undone, and the band-aid is ripped off very fast, with the assassination of Foggy Nelson and Karen and Matt being driven apart by grief. The show was off to a strong and shocking start, but to claim that it survived its rewrites and creative overhaul completely unscathed would be a lie. There are certain decisions some characters make that don't really make sense, some things happening too serendipitously or too abruptly, and there's a general unevenness that can be attributed to the changes in the creative team for each episode, but in the end it still manges to land on its feet, especially after the season finale.
There's a Foggy and Karen shaped void that remains both palpable and unfilled throughout the biggest part of the season. One of the most prevalent, ongoing themes of the Netflix show was Matt's relationship with other people. How he was taught early on that having others to care about is a risk and a liability, his inner struggle between needing human connection and fearing the consequences that would bring, and how he avoided letting people in because of the abandonment that he felt from a young age and the loss and isolation he had experienced due to his circumstances. Eventually revealing, both to the audience and the characters, the complex reasons why Matt tended to push people away, how his vulnerability intertwined with his fear of abandonment, and having him realise the importance of his bond with Foggy, Karen, and the other people in his life as part of his growth.
'Born Again' doesn't necessarily undo any of that, but 10 years later we find Matt Murdock following a different life path, estranged from Karen, in a fancier office that lacks the charm and heart of "Nelson and Murdock", having left Daredevil behind him. Although it is still abundantly clear that his primary goal is to use whatever means he has to help the underdog. What feels really disappointing though, is how almost every single connection in Matt Murdock's life seems to be just surface-level and lacking substance.
Margarita Levieva is amazing in her performance, but the way her character as his girlfriend Heather Glenn is written makes it clear that the relationship isn't meant to last. Matt and Heather seem to be in a "dating for the sake of dating" situation, as there's no initial spark on their first date, and no apparent affection or companionship shown between them later on. She doesn't appear to know about his history with Fisk, nor do they appear to be on the same page on a significant number of issues. And it shouldn't really take a therapist to know that someone who has difficulty with opening up and letting people in, who at the same time is also grieving the loss of one of the closest people in his life, needs to be supported and not antagonised.
All of this makes it really hard to be invested in their connection, or to care when it inevitably falls apart. During the latter parts of the season, the way the character of Heather is presented feels like it's almost spoon-feeding to the audience the fact that she is intended to be disliked. Speaking of deliberately unlikeable characters, Michael Gandolfini shines as Daniel Blake, Fisk's sleazy, power-hungry lackey. The writing in this instance works far better, with Gandolfini giving a standout performance as a very intentionally insufferable and unscrupulous character, who rises in the ranks not because of his capabilities but due to his obsessive loyalty and adoration of Fisk.
It was certainly also really good to see the return of the Punisher. Even if his appearance in this season was brief, the chemistry between Charlie Cox and Jon Bernthal was phenomenal and left me looking forward to the upcoming Punisher special. The series doesn't shy away from the violence and the gore, and it was good seeing Muse, one of the most chilling villains from the comics, also making an appearance. Sadly, the whole storyline felt a bit rushed, and didn't reach the level of creepiness and horror of the "Dark Art" comic book run. That's not to say the character was adapted badly, but the whole arc felt like it didn't reach its full potential and was too quickly wrapped up. It mostly felt that Muse was basically there as a device to finally push Matt to go back to being Daredevil again, and to further move forward Heather's plot, rather than to tell the story of that specific villain.
Overall, the show is an imperfect but certainly solid revival that brought back a lot of of the aspects that made Netflix's Daredevil great. It starts with a bang, then becomes a slow burn, but it eventually finds its pace. The way it ends leaves the door open for a ton of possibilities, both in regards to the plot and the characters that might be joining Daredevil and Karen next season. Opinions may vary, but I liked how we didn't see the Defenders, or any other familiar characters specifically show up in the end, as it would have been revealing too much, and it could potentially feel too gimmicky. That said, I really hope to see Jessica Jones, Luke Cage, Colleen Wing, and the rest make a return, one way or another.
Bringing back any beloved show after a decade isn't an easy task, doing so while going through a series of rewrites and other creative shortcomings doesn't help either, but despite its imperfections 'Born Again' has done right by the original show. The action scenes deliver, the social and political commentary is on-point, the old familiar characters make a strong return, and even though the finale did not conclude the story it managed to finish on a high note and set up the scene for a very promising Season 2.
Sunday, April 13, 2025
ARC Read: Nacelleverse Vol. 1: Biker Mice from Mars & RoboForce
This volume includes the two runs of RoboForce #1–3 and Biker Mice from Mars #1–3, as well as NacelleVerse #0, all written by Melissa Flores whose excellent 'Mighty Morphin Power Rangers' and 'The Dead Lucky' runs have already established her as an ideal creator to handle similar material. It also features art by Rahmat Handoko, Rhoald Marcellius, Francis Portela, Diogenes Neves, and other well-known names in comics. Beyond the undeniably talented team behind it, and beyond its status as a cartoon tie-in, this book is actually an also pretty fun read.
With similar tie-ins, it's not uncommon for the quality to be less than stellar, and for the books to only exist as promotional, nostalgia-bait material. So it was good to see that this is certainly not the case here. There are the familiar characters and lore, but there is also a well-crafted storyline that combines both feeling true to the original and also fitting modern standards. Overall an enjoyable, action-packed, and nostalgia-fuelled read, whether you're already a fan or you're curious to discover those franchises.
A big thank you to Oni Press for providing an advance review copy. The book is expected to come out on May 20, 2025.
Friday, April 11, 2025
ARC Read: Murder on the Books
'Murder on the Books' follows Charlotte (Charley) James, a successful thriller writer who after experiencing a burnout decides to take a break and go back to her hometown, where not everyone knows about her author status as she has been writing her books under a pseudonym. Through an interesting turn of events, Charley finds herself in charge of a bookshop, as her best friend's business partner Sheila suddenly disappears, which in turn puts her in the middle of a murder mystery when she ends up discovering Sheila's dead body in the basement.
The book certainly lives up to the cosy mystery claim, it's a fun and fast read that keeps you invested. The plot isn't too complex, and it does require some suspension of disbelief in regards to the circumstances, but that is pretty much the norm of the genre, especially when it involves a civilian main character taking it on their own to investigate a murder. Charley felt real and relatable, her connection with her best friend felt refreshing, and the approach that the book takes to experiencing a burnout, needing a break, and to mental health in general, feels also quite realistic. With a plot that involves its main protagonist moving to a small town, taking over a bookstore, adopting a cat, and using their intellect to solve a crime, there's a lot to like here.
As this is the first of the 'Cozy Bookshop mystery' books, the characters are newly introduced and their circumstances are just being established, but the book soon finds its pace and becomes both a highly enjoyable read and a promising beginning to the series.
Big thank you to Severn House for providing an advance review copy. The book is coming out on the 1st of July, 2025.
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