Monday, October 27, 2025

Recent Watch - It's the Great Pumpkin, Charlie Brown (1966)


 

59 years today since "It's the Great Pumpkin, Charlie Brown" was released back in 1966. On the surface, it might appear like a whimsical cartoon about a young kid’s belief in the Halloween version of a Santa-like entity. However, the animated short isn’t a mockery of Linus but more of a sincere depiction of his innocence. At its core, it's a deeper exploration of disappointment, the several different forms that faith can take, perseverance, small acts of kindness, and holding on to hope despite failure. 

The scenes where Linus promises to put in a good word for his friends with the Great Pumpkin, even after they mock him, when Lucy thinks to ask for extra candy for him because he missed trick-or-treating, and later goes to find him, brings him home and tucks him into bed, highlight Schulz’s characteristic avoidance of cynicism in favour of a more tender approach, even when tackling darker, melancholic themes.

According to his longtime collaborator Lee Mendelson, Charles Schulz always felt badly about the reality that many children from disadvantaged families don’t always get what they wish for during the holidays. Something that partly shaped Linus’s unshakeable belief in the Great Pumpkin, his enduring hope, and the underlying message: “You keep going, and you don’t give up.”

Thursday, October 23, 2025

Recent Read - Something is Killing the Children Omnibus Vol. 1

I have been a fan of James Tynion IV's approach to mystery and supernatural horror ever since I got the first volume of 'The Woods' in my hands, so naturally I've been meaning to give 'Something is Killing the Children' a read for a while, especially with the hype surrounding it, and the first omnibus of the series was a really good place to start.

The book is a hefty 512 pages long and includes the first 20 issues, covering both 'The Archer's Peak Saga' and the 'Me and My Monster' storylines. Without revealing too much, the story begins with the strange disappearances and gruesome murders of several children in a small Wisconsin town, killed by horrific monsters that are somehow invisible to adults. Enter Erica Slaughter, a mysterious young woman who can somehow both see and harm the monsters arriving to help. 

This is most definitely a horror story, and it doesn't hold back with the gore and the violence, but at the same time it never feels exploitative or misanthropic. It depicts some pretty brutal and violent events, but it also acknowledges the tragedy and grief experienced by those left behind. The mystery surrounding the monsters attacking the children, and Erica herself, is the center of the plot, and it becomes very clear from the start that nobody is safe, but it's also pretty much a character-driven story as well.  

Beyond the intrigue of the main plot, what makes the book work even more is that Erica is also a really likeable protagonist, as she balances being a no-nonsense badass who has seen a lot with actually genuinely caring about the people she is trying to help. Even if her ways are often risky and unorthodox, her heart seems to be in the right place. She is flawed but sympathetic. In fact, most of the smaller characters are treated with nuance, and even if they don't stick around for long, it doesn't feel like they were there only to serve as expendable plot devices.

The art, illustrated by Werther Dell'Edera and coloured by Miquel Muerto works perfectly in amplifying the eerie vibe of the story, and the pacing of the plot keeps you reading to find out what happens next. It's hard to praise the book more without giving away spoilers, but what I can say is that 'Something Is Killing the Children' definitely lived up to the hype for me.

 A big thank you to BOOM! Studios for providing me with a review copy. 


Thursday, October 16, 2025

Recent Read - Manga Biographies: Charles M. Schulz - The Creator of Snoopy and Peanuts

I have a big soft spot in my heart for anything related to the 'Peanuts' comic strip, and for Charles M. Schulz as a creator, so I was happy I got a chance to read "Manga Biographies: Charles M. Schulz - The Creator of Snoopy and Peanuts" by Yuzuru Kuki, and ended up finishing it in a single afternoon. The book starts with a little introductory info on Schulz and the 'Peanuts' characters before beginning to tell his story as a shy, socially anxious kid who grew up loving reading and drawing comics, and who also had a special bond with his childhood dog Spike.

It pretty much covers Schulz's entire life, from his early childhood experiences and him serving in WWII, to achieving his dream of becoming a cartoonist, his work process, his inspirations, his divorce, how he found love again at 50, and his special connection with his fans. There's also lots of interesting, and often touching, trivia included, like Snoopy and Charlie Brown's historical ties to the Apollo 11 moon landing, and the fact that 'Snoopy' is the name that his mum suggested they give their next dog, before she died.

The Manga biography of Charles M. Schulz is more or less tailored for younger readers, but can honestly be enjoyed by anyone who loves Schulz and his work. Much like the 'Peanuts' comics, the book is endearing and charming, but not saccharine, it doesn't gloss over things like the loss of his mother, the way the Second World War affected him, the failures and rejections that came before 'Peanuts' was eventually picked up, or his struggle with anxiety and depression. I loved both the unique approach of telling Schulz’s story through the manga medium, and the way it serves as a sincere tribute to both the creator himself and his work.

It may not include every detail the way a full-on written biography would, but after finishing this manga one will certainly have a pretty good idea about who Charles Schulz was and how much of himself he poured into all of his characters, as well as how his life experiences, the people he cared about, his personal mental health struggles, his perspective on sadness, loneliness, hopefulness, and his intentional rejection of cynicism were reflected in his work.

 Big thank you to UDON Entertainment for giving me a review copy. 




Saturday, October 04, 2025

Recent Watch - Resident Alien (2021-2025)

promo image of the Resident Alien show with the main characters looking up in the sky as Harry raising his fist up in defiance

 

I discovered 'Resident Alien' relatively recently and ended up watching all 4 seasons back-to-back as it became my most recent casual comfort watch. I came to this show not knowing much about it, drawn by the concept of a sci-fi comedy involving an alien crash landing on earth and posing as the local doctor of a small town, and by my particular soft spot for Alan Tudyk. 

It's not without its imperfections, it has the occasional sitcomy inconsistencies and character development that doesn't always stick around for the next episode, but all in all it's a funny and heartwarming watch. The plot is defined by its silliness, and even though some storylines get a little too ridiculous, it keeps you invested because of the endearing characters and the plot points that are glued together by wholesomeness, heart, and some very human moments. And despite being cancelled, the series gets a satisfying, if bittersweet conclusion that feels true to its spirit. 

I liked that beyond the alien shenanigans the show's main focus remained on the little things that brought the characters together and the importance of human connection in general. I liked that it features two married people who are actually in love after years of being together, genuinely care for each other, and resolve their problems with healthy communication instead of resorting to the usual comedic tropes of constant bickering and misunderstandings. I liked how sisterhood and female friendships were portrayed, and how it showed that messy, flawed people can form healthy bonds, grow, learn, and reinvent themselves. I also liked the fact that Linda Hamilton had a recurring guest role as a no-nonsense badass.

'Resident Alien' doesn't set to answer any big philosophical questions, and it doesn't take itself too seriously, but at the same time, in all its weirdness, it manages to provide some good laughs, make a little bit of a sociopolitical commentary, and tell a story on how even if there are many horrible things in the world, there is a lot of good in humanity too.

Thursday, October 02, 2025

75 Years of Peanuts


Today marks 75 years since the publication of the first 'Peanuts' comic strip back in October of 1950. And decades later, the stories of Charlie Brown, Snoopy, and the rest of the gang remain as relatable and as popular as ever, because beyond the surface, there is a characteristic sincerity in Charles M. Schulz's work that makes those comics way more than the cute little stories of a boy, his dog, and his friends. The Peanuts comic strips manage to combine humour and melancholy, often striking a balance between the whimsical and the philosophical, speaking about sadness and optimism, without ever getting overly heavy or preachy. 

Charlie Brown happily looking a the little sad-looking tree he chose to buy
It is very distinctive of Schulz's storytelling how Charlie Brown's wanting to buy the sad-looking tree in 'A Charlie Brown Christmas' isn't played for laughs. It reflects the tendency that a lot of people who feel like underdogs have to pick the lonely-looking toy on the shelf as kids, or to adopt the "difficult" pet who needs more patience and attention as adults. It's not a joke at the expense of the gentleness of Charlie brown, but a reminder of that innate ability to recognise our specific kind of loneliness in someone else, and the understanding that being sad and imperfect doesn't make someone less deserving of love, or less capable of offering it, either.

Charles Schulz, 1956.
Not many works of pop culture can truly claim the characterisation of 'timeless', but nobody can deny that Charles M. Schulz's characters and stories definitely fit the bill. There's a distinctive innocence in those comics that never turns into sugar-coated naivety. They are funny and quirky, but never become mean-spirited. Sometimes they get dark, but never turn cynical. They show little funny snippets of the lives of their protagonists, but without ever punching down. They depict a world where themes of failure, loneliness, and depression can coexist with silliness, love, and hope. Pretty much like real life.

the first Peanuts comic strip published on October 2, 1950. Showing A little happy looking kid approaching two other children, a boy and a girl who are sitting on a bench. In the first panel the boy says to the girl "Well! Here comes ol' Charlie Brown!".  O the second panel, as Charlie Brown approaches closer he says "Good Ol' Charlie Brown... Yes, sir!. In the third panel Charlie Brown has left as he has passed by them and they are both shown looking towards him as the boy says again "Good ol' Charlie Brown...". In the last panel the boy is shown to have changed moods, looking more grumpy  as he says "How I hate him!" while the girl looks at him with confusion.

 

Thursday, September 04, 2025

30 Years of Xena: Warrior Princess


 

Today marks 30 years since the premiere of 'Xena: Warrior Princess' on September 4, 1995. Originally starting as a spin-off of 'Hercules: The Legendary Journeys', it eventually surpassed it in both ratings and popularity, with several characters that originated in Hercules, like Bruce Campbell's Autolycus, also eventually becoming primarily associated with Xena in the long run.

The show was shamelessly and unapologetically campy to its core, but beyond Xena's cheesiness and genuine heartfelt moments, it also managed to be groundbreaking on several levels. It was a primarily female-led action series, which, despite the existence of characters like Ellen Ripley, Princess Leia, and Sarah Connor, was an extreme rarity at the time. Beyond that, Xena started as a villain who changed her ways, she was physically strong and athletic, she was messy and flawed, and her primary motivation was redemption, not revenge.

Xena featured a noticeably diverse cast for its time and famously challenged gender norms and stereotypes, while also exploring LGBTQIA+ themes, often pushing beyond whatever limits the mainstream television rules of the ’90s imposed. It even touched upon themes of gender identity and nonconformity, with episodes like the standout “Here She Comes... Miss Amphipolis,” which featured the late Karen Dior as Miss Artiphys, a character who may not have been explicitly referred to as trans at the time, but who was also never ridiculed or made the butt of the joke after explaining to Xena the decision to take part in a beauty pageant presenting as a woman, with the quote:

“You really don’t get it, do you? I guess being born a woman you wouldn’t. This is a chance to use a part of me most people usually laugh at, or worse. A part I usually have to hide. Only here that part works for me, you see?”

The episode not only showed Xena, a woman who, overall, did not fit traditional feminine tropes, befriending and accepting someone different who was exploring a feminine identity, and celebrating her victory when 
Miss Artiphys is crowned winner of the pageant at the end, but it also made a clear statement against the stigma surrounding HIV/AIDS at the time by featuring an on-screen kiss between Lucy Lawless and Karen Dior, who was diagnosed with HIV and was a prominent AIDS activist.

The relationship between Xena and Gabrielle, even though it was never explicitly confirmed as an actual romance beyond the show's famous subtext, was a complex and evolving connection, with the bond and affection between the two characters being undeniable, pushing the boundaries in regards to queer representation. As their connection evolved, it became clear how the two balanced and inspired each other, with Gabrielle challenging Xena's darkness, acting as her moral compass.

Xena started as a heavily-guarded, hardened warrior who had no intention of letting anyone in, but Gabrielle's influence eventually broke through her walls and got to her. That fundamentally changed Xena as the series progressed, as we get to see her softer, more vulnerable side due to Gabrielle's influence. Despite whatever limitations the network restrictions in the ’90s inflicted on the writing of these characters, this was a story of two women who genuinely loved and significantly affected each other, and to the audience that was unmissable.

In a time of ancient gods, warlords, and kings... but also a time when homophobic jokes and sexist stereotypes and tropes were widespread and all over mainstream media, Xena came and changed the world of television forever, paving the way for future action heroines, providing inspiration for female characters decades later, and earning her status as a timeless cult icon, fair and square.

Thursday, August 21, 2025

ARC Read - Marvel Comics Classic Quotes

'Marvel Comics Classic Quotes' by Robb Pearlman is a fun coffee table-style book that can be casually read in a single sitting. For any Marvel fan, it delivers a selection of mostly well-known catchphrases that have become popular through internet memes and the MCU like "I am Groot" and "I don't want to cure cancer. I want to turn people into dinosaurs", but also a few that come directly from some of the best stories from the comics, like Ms. Marvel's "Good is not a thing you are. It's a thing you do."

Each quote is usually accompanied by a comic book panel, but oddly enough not always the panel it is referencing. It's clear that this is a book primarily targeted towards people that are familiar with both the quotes and the stories themselves, and that is a shame as I would have loved a little snippet of context to also be there to provide more information on what each quote means. Some quotes can perfectly stand on their own and hold meaning even if someone hasn't read that particular story, others though not so much. The words "No more mutants" for example, will mean very little to someone not familiar with the story arc behind them. Not every Marvel fan has read all the comics, and it would be a good way to get more people interested in discovering new books.

I'd say that my biggest nitpick about the book is the lack of credit given to artists and writers. For most quotes there is a comic title with the issue number and date, referencing their origin, but no information on the people who wrote and drew them. Despite the misconception that comic books are just shallow pop corn entertainment, there is lots of heart, depth, and insight to be found in many of these stories, and that's thanks to the artists and writers behind them.

It was nice seeing (part of) one of my favourite quotes from Loki: Agent of Asgard #13 (2015), by Al Ewing, Lee Garbett, and Antonio Fabela:

"What is a lie, when it's at home? Anyone? Is it the depressed little voice inside? Whispering in my ear? Telling me to give up? Well, I'm not giving up. Not for that part of me that hates myself. That wants me to wither and die. Not for you. Never for you. What's a lie, Verity? A lie is a story told. That's all. And we can rewrite our stories. All of us. Write our own happy endings. Our own redefinitions. We don't have to be what we're told to be. Even by ourselves."

Panel from Loki Agent Of Asgard 13

 

Thank you to Cider Mill Press for the advance reader's copy, the book is coming out on October 07, 2025.

Thursday, August 07, 2025

Recent Watch - The Fantastic Four: First Steps (2025)

promo image with the main characters of the film

 

Overall, I really, really enjoyed 'The Fantastic 4: First Steps'. It was *very* refreshing to watch an MCU project that was primarily focused on doing its own thing, and telling its own, mostly self-contained story without being preoccupied with setting up a dozen other storylines for films that will come out in 3 years, or offering more fan service than plot. The Easter eggs, the little nods to well-known characters from the FF comics, and the dedication to Jack Kirby were all genuinely nice touches as well.

I'd say that after 4 not-so-fantastic attempts, they've managed to bring these characters to live action in a way that works. The retrofuturistic setting allows for them to stay true to many of the comic book themes without needing to strive too hard for realism. The chemistry between the cast works in making them feel both like a team and like a family. They all get their separate moments to shine and use their powers, but Vanessa Kirby's Sue Storm is the undeniable heart of the film and the glue that holds them together.


Monday, July 14, 2025

25 Years of Live Action X-Men

Original poster featuring the main characters of the 2000 X-Men film

 

25 years today since the first 'X-Men' film was released back in 2000. The fact that this movie happened back then, 8 years after the X-Men animated series that got so many of us into the comics, was a *huge* deal. Seeing the posters for the first time and seeing in live action the X-Mansion basketball court opening up and the Blackbird flying out caused some *serious* hype.

It marked a milestone for Marvel after their rocky history of low-budget, low-effort adaptations, especially with a cast like Patrick Stewart, Ian McKellen, Anna Paquin, and Ray Park, while also helping to propel Hugh Jackman's career. It was a fun action film that took itself, its cast, and its audience seriously and stayed true to the core theme of the X-Men being a team of outcasts who fight to protect a world who hates and fears them.

In retrospect is it a perfect X-Men adaptation? Nope. It never managed to shake off the shame it felt for certain aspects of its source material, and in the process of trying to make it digestible to a wider audience, it failed to fully capture the 'found family of weirdos with a hint of soap opera' spirit of the comics. It lacked the heart that acted as the glue keeping those characters together, sticking up for each other, despite their different backgrounds and personalities.

But the film undeniably marked a significant shift in the way Marvel comic book adaptations were approached, eventually leading to an era where these movies have found a better balance between serious themes, camp, and yellow spandex.

Saturday, July 12, 2025

James Gunn’s ‘Superman’ Brings Back the Trunks and the Heart

Superman shown to be talking to Krypto the dog who is starign at him curiously


I've had a deep love for comic books for decades, and I've been a fan of Superman ever since little kid me came across a videotape of Christopher Reeve's portrayal of the character in the first Richard Donner film. Superman has existed since 1938, and naturally there have been dozens of different interpretations of him, but my favourite has always been the OG corny nice guy who uses his powers for good. There is a certain charm in the idealism of that concept. And this is exactly what the promos for the new 2025 'Superman' film seemed to promise. Having now watched 'Superman', I can say that it was everything I had hoped it would be.

There's a noticeable amount of inspiration drawn from both the Donner films, Golden/Silver Age material, and classic comics like Grant Morrison's All-Star Superman here. The story is not a direct adaptation, but watching David Corenswet's depiction of the character felt like watching the same Superman who talked a depressed teenage girl off the ledge, telling her that she is much stronger than she thinks she is in All-Star Superman #10. One of the most talked about scenes from the character's history, for good reason. Because Superman isn't just the guy who is capable of punching holes through walls, he doesn't act from a place of vengeance or anger, or needing to prove a point. He doesn't just use his fists, one of his greatest strengths is his ability to empathise, and he does what he does because he cares. He stops alien invasions, he saves kittens from trees, and all the things in-between.

Panel from All-Star Superman #10
It's a simple concept but it doesn't need anything more added to it in order to work. People may not be able to  fly or stop bullets with their hands, but people can just choose to be good just because it's the right thing to do. I'd argue that the only way to make a character like Superman sympathetic enough so that readers (or viewers) can connect with him on a substantial level is to make him as human as possible. There is no appeal in an omnipotent, flawless, macho, inapproachable person who is allergic to emotions, no matter what the folks who self-label as life coaches and think that there is an instruction manual to human connections try to tell you, and any story about such a character can only go so far. Clark is a guy with tremendous powers and capabilities, and out of all the things he could do with them, he chooses to help and protect those who need him.

The rest of the cast is also fantastic. Nicholas Hoult delivers a great performance as Luthor, making for a very convincing megalomaniac billionaire, driven by ego and capable of real cruelty. Edi Gathegi is brilliant as Mr. Terrific, and Rachel Brosnahan simply is Lois Lane. The chemistry between Lois and Clark was spot on, you can see why these two people fell in love with each other, and even how the different aspects of their personalities fit together.

It was a smart choice showing the characters already being a couple, with Lois also knowing Superman's identity. The movie would have gotten tedious really fast if it tried to be yet another origin story. The tale of them getting together has been told numerous times before, and as one of the most famously endgame couples in the history of comic books, their relationship is built on more than physical attraction and Lois's fascination with Superman.

Contrary to the Batman and Catwoman dynamic, the most interesting part of the relationship between Clark and Lois comes after the characters end up together. Clark cooking for Lois when she comes home, Lois being in Clark's childhood bedroom, meeting his parents, noticing him interact with his dog, noticing his posters on the wall and all the other items in the room that tell a little story of who this sweet, nerdy guy is as a person, is something that comes from a place of affection, and it's nice to see the characters established that way.

Krypto the dog was hands down another highlight of the film. I think this version, even if he is rather different to the one from the comics, works excellently. He is ridiculous and loveable, and steals every scene regardless, but I think those who have had the experience of owning a dog whose inability to read the room and follow the rules is only surpassed by his ability to love you enthusiastically will feel a little extra fondness for his sloppy excitement (and maybe a little appreciation for the fact that dogs aren't capable of flying in real life).

There are some parts of the plot that feel a little messy, but overall 'Superman' was an undeniably enjoyable watch, and most importantly, it was a film that truly understands the character. My only major gripe would be how much of the second part of the film was shown in the trailers. Some scenes I'd rather have experienced for the first time while watching the movie. At the same time, I loved how 'Superman' doesn't shy away from being colourful, it never tries to pretend that it's anything other than a comic book movie, it never attempts to hide its ridiculousness by trying to give a logical explanation as to why there's a cute dog wearing a tiny red cape flying around.

At the same time, it also remains relevantly political, in the way Superman has always been ever since his creation by Jerry Siegel and Joe Shuster 87 years ago. Despite how the word might have become taboo for certain parts of the internet, the story of Superman has always been interconnected with real-life issues, and beyond what label any of us uses to describe the basic concept of the character, Superman has always essentially existed as an answer to the question "what would someone who is fundamentally a good person do if they had the power to stop harm and injustice?"

The story and the themes are delivered through a modern lens, showing how smear campaigns, xenophobia, and disinformation can be weaponised, and how mob mentality works in the age of social media, but at the same time the movie stays true to the spirit of the character.

Superman is the most powerful man on earth, but what defines him is his vulnerability and his heart. He is nearly indestructible, but also a little dorky, compassionate, witty, he remembers the details from a first date, he is occasionally awkward, he loves his unruly dog, heck he loves all dogs. He stops mid-fight to save a squirrel, he cares about Malik the street vendor who once gave him free falafel, he acts from a place of wanting to protect the innocent, he cries, he inspires others to be better, and he believes kindness is the most punk rock thing there is. Because it is.




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